The Cylinder Recordings from the Gerhardt Marimba
Xylophone Collection
The Gerhardt Marimba Xylophone Collection was acquired over many
years by Edwin L. Gerhardt. This unique and comprehensive collection
was donated to the Percussive Arts Society Museum in 1995. The
Gerhardt archive includes reference books, music instrument catalogs,
scores, methods books, pictures, correspondence, miscellaneous
information, personal reminiscences, a music-related stamp collection,
phonograph machines, and cylinder,
disc, and tape recordings.
We are pleased to make the cylinder recordings from this collection
available to the public, as Mr. Gerhardt would have wished. This
project received generous funding from The
Lawton Community Foundation and support from Prof. James Strain, PAS Historian, Prof. Kurt
Gartner, PAS Music Technology Committee Chair, and Chris Miller,
Music Technology student at Virginia Polytechnic Institute and
State University in Blacksburg, VA.
May 30, 1907 - July 7, 1995
Edwin L. Gerhardt fell in love with the marimba, its sound,
and everything about it, in 1921, at the age of 14 after attending
a concert by the U.S. Marine Band at the Lyric Theatre in Baltimore,
Maryland. A young Marine marimba soloist performed that evening,
and it changed Ed’s outlook on music for the rest of his
life. Following the concert, he immediately started building crude
imitations of the marimba and began saving money in order to buy
himself a real instrument.
By 1926, Ed Gerhardt was performing as a marimbist throughout
the Baltimore area - performing for churches, lodges, minstrel
shows, and vaudeville shows. He performed on radio station WCAO
in 1928, and performed with the Rosewood Marimba Band in the late
1930’s to early 1940’s.
Ed’s interest in the marimba gradually shifted from
the perspective of performing on the instrument to its historical
significance while working for the Johns Hopkins press and bookstore.
It was then that he began collecting books on music. His collection
of books, recordings (including Edison cylinder recordings dating
back to 1902), and other lore about the marimba (and by now the
xylophone), grew and grew over the years. In 1963 the Library
of Congress expressed an interest in obtaining the collection,
but Ed hesitated, feeling he would lose personal contact with
it.
When Dale Rauschenberg came to Baltimore in 1966 to become
the percussion instructor at Towson University, he and Ed Gerhardt
met in early 1967 and became close friends. By 1970 Ed Gerhardt
had decided to donate his collection to Towson University and
served as its curator, continuing to add more and more information,
recordings, and memorabilia to the collection until it became
one of the largest in the world.
In 1995, through the urging of Dale Rauschenberg and other
officials from the international organization, the Percussive
Arts Society,
Mr. Gerhardt was persuaded to donate his collection to the Percussive
Arts Society’s museum at the national headquarters in Lawton,
Oklahoma where percussionists from throughout the world would
have access to its information. The Edwin L. Gerhardt Marimba/Xylophone
Collection was transferred to the Percussive Arts Society’s
national museum in Oklahoma on June 21, 1995. Ed Gerhardt passed
away just 16 days later.
The biography of Edwin L. Gerhardt was submitted by Prof. Dale
Rauschenberg,
Department of Music, Towson University.
Photos taken from the Gerhardt Collection.
Library of Cylinder Recordings
Gerhardt Collection Museum Page, Percussive Notes, V. 38, N.
6, December 2000
Cylinder Artists: Bios, Photos
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